Tourte (Luxury Edition)
Expected publication January 2022. Pre-order this edition and we will ship it out to you once published. Order before November 30, 2021 to be included in the List of Subscribers in this publication.
limit one luxury edition per person
- 273 pages
- high definition photographs of 80 bows made by François Xavier Tourte
- numerous documents never published
About this publication
François Tourte is a towering figure in bowmaking whose advances in the bow’s form arrived at “the modern bow”. For almost 250 years this bow remains unsurpassed both in terms of its use by the greatest stringed instrument players and its artistic creation – its beauty. This book shows him in the tumultuous times of late 18th century Paris where he lived and worked for much of his career on the rue du Chantre – just around the corner from various calamitous events leading up to and continuing after The Revolution, which commenced in 1789. Tourte’s lifespan was divided precisely in two by that chaotic but also glorious time. “The Rights of Man and of The Citizen” changed the lives of the French in large measure while Tourte continued his bowmaking, by the very early 1800s installed on the Quai de l’École where he enjoyed a view of the Pont Neuf from his 4th floor apartment. Lucy Sante describes the Paris of this time – not at all the glamorous metropolis we know today – and Parisians’ way of life then. This is essential for understanding the seemingly simple artisan as he gave expression to his ingenuity and creativity. Duane Rosengard untangles the complex Tourte family background and provides an enlarged perspective on the oral histories associated with the Tourte family. The places of François Tourte’s children and extended family in his life and career are explored in detail. In describing Tourte’s bows and their evolution, Paul Childs presents Tourte as both an artist and a scientist in his domain, raising the bow to a status of enduring importance. Many fine bows are presented in photos and discussed. Isaac Salchow’s penetrating observations underscore the changes in Tourte’s working methods over time, presented in words and photography. Elements heretofore unknown are presented elegantly.
Duane Rosengard has been a member of the Philadelphia Orchestra for more than thirty years, during which time he has studied stringed instruments and their relevant historical researches in Europe. With Carlo Chiesa, he is the co-author of The Stradivari Legacy and Giuseppe Guarneri del Gesù. His monograph on Giovanni Battista Guadagnini was published in collaboration with James Warren. In addition, he has contributed to Die Musik in Geschichte und Gegenwart and the Grove’s Dictionary of Music. He has given conferences and lectures throughout the world on the subjects of bowed instruments and their makers. Duane lives in New Jersey with his wife Dawn.
Paul Childs is an expert and dealer of classic French bows and has written the monographs The Bowmakers of the Peccatte Family and Jean Pierre Marie Persoit: His Life and Work, as well as numerous articles for magazines and online publications. He has spoken at conferences both in the U.S. and internationally and in 2008 produced in association with The Royal Academy of Music in London a major exhibition on the bows of François Tourte. Paul has a Masters degree in violin performance from the Manhattan School of Music and worked extensively as a freelance violinist in New York. He lives in Westchester County and Paris with his wife, Bérit Schumann and son Karl.
Lucy Sante’s books include Low Life, Evidence, The Factory of Facts, Kill All Your Darlings, The Other Paris, and Maybe the People Would Be the Times. He has been a frequent contributor to the New York Review of Books since 1981 and has written for a wide variety of other publications. His awards include a Whiting Writers Award, an Award in Literature from the American Academy of Arts and Letters, a Grammy (for album notes), an Infinity Award in Writing from the International Center of Photography, and Guggenheim and Cullman fellowships. He teaches writing and the history of photography at Bard College.
Isaac Salchow began his apprenticeship in 1992 with the “Dean of American Bowmaking”: Isaac’s grandfather, William Salchow. From the beginning, Isaac was drawn to the unrivaled playability and aesthetics of the Old French Masters. After years of detailed observation of various working styles, as well as association with many of the world’s top musicians, Isaac has become one of the most sought-after experts, bowmakers, dealers, and lecturers worldwide. In 2009, he took over the Salchow business and enjoys continuing the family tradition of bowmaking in New York City.